I find it very frustrating to relate to people sometimes. They're slow. I dislike postmodern literary noodling. I fail to see the entertainment in reading a novel where the writer is merely fondling an idea, turning it over and over, revelling in this idea. For me, I saw the idea the first time and saw all possible permutations. Why dwell on it? I'd rather dwell on the implications of that idea. I'd rather dwell of the sociopolitical climate in which the original novel was written and the climates which followed. I'd rather think about the implications that impact might have had on a specific society and the impacts that novel (or even official state interpretations of that novel) had later.
I quite often found classroom literature discussions boring. I enjoy discussing potentialialities, not realities. What happened in the novel is set. It happened. Why did it happen? That's interesting. Was writing this novel revolutionary? That's interesting. What was happening in the author's society at that time, what philosophers did the writer find intriguing, maddening, outrageous? All cool. Noodling over a character's motivation for pages and pages and pages? That's not interesting to me. That's not revolutionary. That's not insightful (though it does tell me that the writer might be a clueless git).
Boy tells me that few people have instantaneous pattern recognition. They have to noodle in order to recognize the patterns. That's okay, but do they have to read the noodling of someone else in order to recognize patterns in another story? Did that noodler need to publish a book of zir noodling? What is the purpose of all this noodling? It seems excessively masturbatory and obvious.
In case you can't figure it out, The Unbearable Lightness of Being is quite aptly titled. One concept, tumbled over and over, becoming less refined and more concrete all at once. The fun is taken out of the abstract. Of course, if just one early paragraph were to stand alone, it would be perfectly rendered, abstract, heavy and light all at once--a wonderful duality. But it wouldn't be unbearable, which I suppose is the essence of the book. I'm afraid to read anything else Kundera has written. And you know what? Tolstoy did it better and he did it earlier.
I quite often found classroom literature discussions boring. I enjoy discussing potentialialities, not realities. What happened in the novel is set. It happened. Why did it happen? That's interesting. Was writing this novel revolutionary? That's interesting. What was happening in the author's society at that time, what philosophers did the writer find intriguing, maddening, outrageous? All cool. Noodling over a character's motivation for pages and pages and pages? That's not interesting to me. That's not revolutionary. That's not insightful (though it does tell me that the writer might be a clueless git).
Boy tells me that few people have instantaneous pattern recognition. They have to noodle in order to recognize the patterns. That's okay, but do they have to read the noodling of someone else in order to recognize patterns in another story? Did that noodler need to publish a book of zir noodling? What is the purpose of all this noodling? It seems excessively masturbatory and obvious.
In case you can't figure it out, The Unbearable Lightness of Being is quite aptly titled. One concept, tumbled over and over, becoming less refined and more concrete all at once. The fun is taken out of the abstract. Of course, if just one early paragraph were to stand alone, it would be perfectly rendered, abstract, heavy and light all at once--a wonderful duality. But it wouldn't be unbearable, which I suppose is the essence of the book. I'm afraid to read anything else Kundera has written. And you know what? Tolstoy did it better and he did it earlier.
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Date: 2004-08-16 10:49 am (UTC)no subject
Date: 2004-08-16 11:07 am (UTC)I know I *should* read Tolstoy, but haven't. What should I read?
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Date: 2004-08-16 11:20 am (UTC)For starters, I'd say:
Anna Karenina
The Cossacks
The Kreutzer Sonata (though perhaps this is best left until after becoming more familiar with his work and his philosphies. I suppose it's not a good intro piece, though I feel it's very much a defining piece. Many brush it off as something written by a man who had succumbed to religion and fear.)
War and Peace, and of course, The Death of Ivan Ilyich, are also quite important works.
If you want to get into philosophy, etc, there are many options, but I'd start with:
"Writings on Civil Disobedience and Nonviolence"
"What I Believe"
"What is Art?"
"What is to be done?"
You'd also need to read some Chernyshevsky and Dobrolyubov, among other writers/philosophers, and to read up on some historical/biographical information, to get a good sense for what the intellectual climate was like in which those ideas were coming to pass.
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Date: 2004-08-16 11:48 am (UTC)no subject
Date: 2004-08-16 11:51 am (UTC)no subject
Date: 2004-08-16 12:13 pm (UTC)no subject
Date: 2004-08-16 11:10 am (UTC)no subject
Date: 2004-08-16 01:36 pm (UTC)no subject
Date: 2004-08-16 11:15 am (UTC)Sorry to divert the topic, back to your regularly scheduled thread.
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Date: 2004-08-16 11:26 am (UTC)I recently read A Conspiracy of Paper, by David Liss. His protagonist is based on Daniel Mendoza, an 18th century Jewish pugilist. It was a fascinating read.
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Date: 2004-08-16 02:25 pm (UTC)I added A Conspiracy of Paper to my wish list as it looks like something I would like.
Have either you or Exploding Cat read the Thursday Next books? I've read the first two, own the third and am eagerly awaiting the the third one.
no subject
Date: 2004-08-16 02:27 pm (UTC)no subject
Date: 2004-08-18 08:50 pm (UTC)It appears Akunin has written a dozen or so Fandorin novels. I might have to order them and read them in Russian. It would take longer for me to read them, but I might be able to get my brain to work better. On the other hand, I might blow a fuse. Thanks for the recommendation.
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Date: 2004-08-22 10:31 am (UTC)If you do end up reading these in Russian, give me a few hints. I've just started The Well of Lost Plots and have your suggestion on my wish list. It seems to be part of a series, and looks really interesting. I'm changing jobs and will be out of work a week, so will not be buying books in the near future but will resume again once I get paid. :) I'll also be taking the metro in to work so will probably be reading at a faster clip than I do now.
no subject
Date: 2004-08-22 10:55 am (UTC)I picked up another book by David Liss--The Coffee Trader--at the library. I like it (again, the futures exchange and a Jewish community, this time in The Netherlands), but I'm remembering why I rarely read mysteries from the library. Most people who read them seem to wear perfume and use air freshener. I'm getting ill from the damn book! I prefer to own books I read, anyhow, so I think I'll have to start buying them. Oh, for limitless disposable income!
I haven't read any of the Thursday Next books. They look hilarious. Maybe I'll check them out.
If you have cheesy fun, try P.N. Elrod's, The Vampire Files series. Mix '30s detective novel (gangland) with vampire novel. They're damn funny books--they read like twisted film noir.
Have you read any China MiƩville? He's our current new favorite author. His latest book just came out. Boy was kind enough to order it right off when I said, "WHAT! WANT! NOW!"
I miss you folks. Wanna come visit Cvlle? Or perhaps meet for a day in SNP?
no subject
Date: 2004-08-16 09:57 pm (UTC)Although i'm afraid that at time I may do that... I like to think however, that I have a main idea and develop and expand it through a paper (while being sure to maintain my argument).
My last semester in English class has made me more concise. I can now write a 6-8pg paper in 4. Good for my readers even though it takes me just as long to write it.
Mr. and Mrs. Tolstoy
Date: 2004-08-17 12:19 am (UTC)Ah, this hasn't really anything to do with the post, but reminded me of the part in Twenty Years at Hull House where Jane Addams is invited to dine with Tolstoy and family. Very roughly paraphrased:
Tolstoy: "What excess fabric in your dress! Did you know that if one were to take all the excess fabric from a modern lady's dress, it could be used as a full dress for a little girl?"
Mrs Tolstoy: "Dear, we tried that, remember? Not even the tiniest of little girls could fit in such a dress. Do forgive him."
Tolstoy: "And why aren't you using shared labor instead of having your foods shipped into the city from the country?"